Jamstik Studio MIDI Guitar Review

The Jamstik Studio MIDI Guitar is a headless electric guitar that includes a midi pickup and all the necessary connections to trigger software and hardware MIDI-compatible instruments. As someone who can somewhat navigate around a piano but feels more at home on the guitar, this premise seemed like a godsend, as I’d be able to trigger my many software instrument libraries on a guitar rather than fumbling around on my MIDI keyboard. While the Jamstik is by no means a perfect instrument, it is one that I’ve come to have a lot of fun with as I spend more time with it.  

This article will serve as a brief, bullet-pointed summary of my thoughts on the Jamstik. For my full thoughts as well as some sound examples, please see the video embedded above. 

Spec

  • Mahogany body

  • Maple neck with rosewood fingerboard 

  • 25.5 inch scale

  • 14” radius

  • “Lightening” humbucker pickups 

  • 3 way switch, single volume with push pull

  • MIDI pickup

  • Rechargeable battery (mounted in the rear of the guitar)

  • Guitar output 

  • USB C port (for charging and connecting to computer for use with software instruments)

  • 3.5mm TRS/MIDI out (for connection to MIDI hardware)

Evaluation as an Electric Guitar

This Jamstik’s construction quality and tonal offerings were far from perfect out of the box. I would have hoped for better given the $800 price tag.

  • Negatives:

    • Fret crowns were incredibly rough and unpolished

    • Fretboard was very dry

    • Tool marks and obvious signs of grain-filler being used on the fretboard

    • Several places where there is bubbling/debris under the finish

    • Very poor routing for the rear cavity

      • The router appears to have taken excess chunks of wood that were not intended for removal

      • The cavity cover does not sit flush in or on the route and has quite a bit of movement

      • There is a strange black line tracing the edges of the route, which I assume to be the router template

    • Mediocre sounding pickups with too much honky midrange

  • Positives:

    • Neck finish is very smooth and the profile is a very comfortable, thin C-shape

    • The fret ends were dressed well (i.e. no sharp edges or fret sprout of any kind)

    • Frets all seem to be level

    • Headless hardware is stable and restringing is not cumbersome

    • After polishing the frets, overall playing experience was quite good 

Evaluation as a MIDI Controller

Thankfully, the Jamstik works quite well as a MIDI controller, which is ideal since that was really the main selling point of this guitar for me. I don’t think it will fully replace a MIDI keyboard, but it is something I see as being a utility for myself and other producers/songwriters who mainly play guitar. 

  • The Good:

    • Very accurate tracking

      • Works well with both chords and single notes

    • Low latency when tracking

    • Easy to adjust settings thanks to the included Creator Software

    • Each string can be processed individually, allowing for lots of flexibility

    • Creator Software includes many sounds/presets for getting started

    • Jamstik has made many tutorials on the guitar/software to help newcomers

    • Plug-and-play for most software instruments I’ve tested

    • Alternate-tuning friendly

    • Can be used to write tabs in Guitar Pro 

    • It is a lot of fun to use

  • Things to Be Mindful of:

    • Occasional tracking hiccups (double triggering, mistriggering, etc.) 

      • Likely due to the fact that the Jamstik uses an audio/MIDI conversion rather than being a purely digital signal

    • Sustained notes may die off prematurely as the MIDI pickup may no longer be able to detect string vibration after a certain point

    • Pitch tracking is fairly sensitive

      • May be best to disable pitch bend to ensure midi notes playback perfectly in tune

    • Getting the most out of the Jamstik may require purchasing additional software instruments

    • Not the best fit for all software in my testing

      • Keys and synths work incredibly well

      • Orchestral instruments tend to have a hard time sounding natural as many are reliant on modulation wheels/expression pedals for controlling dynamics

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